Running Time
22 minutes / Three movements

Cast
5 men / 5 women
Of these, one principal couple is needed.

Music
Composed for this ballet by Ken Kirschner.
Available on CD or DAT.

Technical Requirements
A crossover is needed.
Preferred stage dimensions are 40' wide x 35' deep.
Four wings are optimal.
A black curtain upstage is necessary. A cyclorama for the second movement is preferred.
There are no sets or backdrops.
Costumes and props are not available from the choreographer.
Click links for lighting notes and cue sheets.

Description
Although this ballet is very contemporary, the three movements follow a traditional fast-slow-fast pattern. The piece is about the effects technology is having on us today. The ballet considers the positive aspects, such as the increased speed and productivity we now enjoy, as well as the more dubious aspects, raising such questions as "How much of our humanity are we willing to give up in order to fit into a computerized society?"

This work mixes various dance styles not often seen together. The first movement combines steps from hip-hop, breakdancing and ballet. The second movement combines ballet lines with contact improvisation-based partnering and the pacing of butoh. The third movement reflects the sensibility of the first but with more speed, virtuoso steps, and the full cast.

Ballet trained dancers with the ability to adapt to other styles are best suited to this work; the women are on point for the first and third movements. They must be barefoot for the second movement. The partnering in the second movement is very strenuous for the men.

Because costume and lighting requirements are so minimal, this is an excellent piece for touring and makes a nice finale.

The work was commissioned by Wes Chapman's American Ballet and was first performed by principals and soloists from American Ballet Theater.

Terms in brief
Cost: $8,000, costumes and props not included.
DAT tape or CD of music will be supplied for performance.
Setting the work calls for 40 contiguous rehearsal hours plus technical and dress rehearsal.
Piece may remain in company repertory non-exclusively, in perpetuum. Half payment in advance, half upon technical rehearsal.
Complete terms available upon request.